
At Alas Arum Silver & Gold Workshop in Sukawati, you'll spend a day making jewelry by hand in Bali's largest open-air workshop. Rice terraces and jungle sit right outside the benches. You'll shape, solder, and finish a 925 sterling silver piece, or work in 18k/22k gold and add gold plating if you want. The location is about 20 minutes from Ubud. You can book solo, as a couple, or with a group of up to 50.
This is a guided creative session, not a rushed factory tour. Most visitors begin with a safety briefing and a quick intro to the tools: saws, files, torches, hammers, and polishing wheels. After that, you pick a project design and receive a small sheet or wire of 925 sterling silver. You'll spend most of the class at a bench, sitting or standing, and you'll move between your worktable and the instructor's demo area as needed.
Alas Arum is in Sukawati village. It's close enough to Ubud for a half-day trip, but far enough from traffic that the place feels calm. The benches sit under open pavilions. You can see jungle, coconut palms, and stepped rice fields from your seat. Birds are audible, along with the occasional tap of another student's hammer. This is an outdoor setting, so light clothing and closed-toe shoes work best. Check-in is simple. You sign in, pick a project card, and meet your instructor.
There's no air conditioning. That's the trade-off for the open-air layout. Mornings feel mild. By midday, the pavilion roof provides shade and the breeze off the rice terraces keeps things comfortable. If you want a break, walk to the edge of the terrace and watch farmers work.
Beginners usually start with sterling silver. It's forgiving and cheaper than gold. Honestly, most people overthink this. Silver feels less risky, and you can always add plating after. The instructors show sample rings, pendants, earrings, and bracelets. You can add gold plating over a finished silver piece, or work directly in 18k or 22k gold if you want something finer. Silver and gold behave differently, so the instructor adjusts soldering and finishing steps to match your metal.
If you're unsure, the brass class is a low-cost way to practice the same techniques before you commit to silver or gold. The instructor explains differences in hardness, melting temperature, and polish. Most students finish a simple ring or pendant in the standard session. If you want a more complex piece, tell the team when you book so they can plan extra time.
A typical class moves through six or seven steps:
Every step is supervised. You're not left alone with a torch. The instructor demonstrates first, then watches your hands. If a joint fails or a cut goes crooked, they'll help you fix it instead of doing it for you. That's the main value of a guided workshop. You learn the correct technique from the start instead of fighting the metal.
For many people, the torch step is the highlight. You apply flux and small solder pieces, then heat the joint until the solder flows. The instructor tells you when to move the flame closer or pull back. It's normal to feel nervous the first time. After a few tries, it starts to feel natural.
The workshop has its own restaurant and bar, so you don't need to leave for lunch. Eat between the shaping and polishing stages, or after your class. The menu includes Indonesian dishes and cold drinks. A lunch break also gives you time to walk the rice terraces and take photos before finishing your piece.
The restaurant is open-air, just like the workshop. You can leave your jewelry at the bench while you eat. Some visitors finish the piece first and then have a drink at the bar. Others take a longer break and come back to polish in the cooler afternoon light.
Jewelry making requires patience. A file stroke or solder seam cannot be rushed. When your bench overlooks jungle and rice terraces instead of four walls, the slower pace feels natural. We see beginners worry about getting every cut perfect. The setting takes some of that pressure off. You're not in a sterile classroom. You're working in the same open-air environment that has shaped Balinese craft for generations.
Natural light helps too. Jewelers need bright, even light for fine details. A shaded open pavilion offers exactly that without harsh glare. You can check metal color and polish under daylight, which is more accurate than artificial light. Small details, like the reflection on a polished silver band, are easier to judge when you hold the piece up against a green rice field.
The setting makes the day feel less like a task and more like slow travel. Many visitors lose track of time, which is what a good creative workshop should do. You're not just learning a skill. You're also absorbing the rhythm of village life in Sukawati.
Alas Arum runs several class formats. Here are the general differences.
| Class Type | Materials | Best For | Duration | Group Size |
|---|---|---|---|---|
| Standard Workshop | 925 sterling silver, optional gold plating | Beginners and couples | 2-3 hours | Up to 50 |
| Gold Class | 18k or 22k gold | Visitors wanting a finer piece | 2-3 hours | Smaller groups |
| Gold Plating Add-On | Silver base with gold layer | Budget-conscious upgrade | 30-45 minutes | Any workshop |
| Masterclass | Silver, gold, advanced techniques | Experienced jewelers | Half to full day | Limited seats |
The standard workshop is the most popular. You can also book the brass class, a lower-cost practice option before committing to silver or gold. For advanced students, the masterclass covers stone setting, filigree, and more complex soldering. Whichever class you pick, the instructor-to-student ratio stays low enough for hands-on help.
This day suits a lot of travelers:
No experience is required. Instructors pace the class to your skill level. If you already make jewelry, book the masterclass instead of the beginner session. You'll learn advanced joins, stone setting, or gold work. The masterclass assumes basic sawing and soldering, so it moves faster and covers techniques you won't find in a tourist class.
If you have limited hand strength or vision, mention it when booking. The team can adapt tools and choose a simpler design. The workshop benches are accessible, but the paths around the rice terraces can be uneven.
Sukawati is a short drive from Ubud. Many visitors combine the workshop with a morning at the Sukawati art market or a nearby waterfall. Plan for about half a day total, including lunch. The workshop is open-air, so bring sunscreen and a hat for midday. You'll sit under shade most of the time, but you may walk around the terraces.
What to wear:
What to bring:
You can see examples of student and instructor work in the gallery before choosing a design. If you're not sure which metal fits your budget, contact the team before booking. The standard workshop booking page shows current availability, and the staff can answer questions about group size or special requests.
No. Most visitors are beginners. The instructor starts with tool safety and demonstrates every step. You can pick a simple band or pendant, and the team will help when you need it.
A standard silver class takes about two to three hours, not including lunch. If you add gold plating or choose a more detailed design, allow an extra hour. The masterclass may run a half day or longer.
Yes. The workshop offers 18k and 22k gold classes. Gold behaves differently than silver, so the instructor adjusts the soldering temperature and finishing steps. You could also start with silver and add gold plating.
Older children can participate with close supervision, especially when using hand tools like files and stamps. The torch and polishing wheels require adult guidance. Contact the team to talk through age limits and design options.
Mistakes are part of the process. If a cut goes crooked or a solder joint fails, the instructor will help you fix it. Normal guidance during the class doesn't come with an extra charge.
Yes, Alas Arum is an open-air workshop with covered pavilions. Light rain usually doesn't stop the class because the benches are under shade. In heavy rain, the team may pause torch work until it passes.
A jungle views and jewelry making day at Alas Arum in Sukawati is one of the more memorable ways to experience Bali's craft culture. You leave with a piece you made yourself, not a mass-produced souvenir. The open-air setting, the patient instructors, and the chance to work in silver or gold make it worth the short trip from Ubud.
If you're ready to plan your workshop day, book your class at the standard workshop or ask about the masterclass for advanced techniques. The jungle and rice terraces are waiting.